DECAYCAST Reviews: SPORE SPAWN “Ochistuitara” Cassette (Oxen Records, 2017)

DECAYCAST Reviews: SPORE SPAWN “Ochistuitara” Cassette (Oxen Records, 2017)

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Spore Spawn is a nearly decade old project based out of Japan, and also happens to be an end level boss in the  popular fan favorite video game, Metroid.

The project name choice is Probably not an accident based on the title and  aesthetics of the artists imprint, 16 Shots Per Second   but this cassette is released by Leah and Matt’s imprint OXEN, based out of LA.  “Ochistuitara”, from Tokyo’s underground legend SPORE SPAWN, boasts a twenty minutes’ sacrifice of masterfully crafted, exciting, kinetic, dynamic harsh noise, and supposedly is made from a myriad of homemade joystick synthesizers and crude noise devices. While essentially existing in the harsh noise realm, “Ochistuitara” actually covers a rather wide and refreshing array of harsher sounds, compositional strategies and dynamics, and even musicality at times, almost a virtuosic approach to harsh noise. Spawn creates dense walls of feedback that violently and aggressively cascade into spacious vignettes of ambient drone, expertly blended field recordings, slow rhythmic pops, and chirps like a glitched- out, off-kiltered, dying alarm clock that fights the plug to stay in the wall when it’s angrily yanked out.   The walls of blistered, busted out, serrated chaotic mayhem crescendo into utter sonic chaos, and just as the ear bleeds for mercy rescind into a cold, alienating, isolating hum.  At times, the ambient sections act as a break from the unrelenting mountains of noise, and other times, function as matrix of brain mutes with respect to the ear fatigue. Loud is only loud when quiet is quiet, and on “Ochistuitara”, the artist is no doubt conscious of this strategy in respect to the timing and composition of this EP.

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Things never stay the same to become predictable or flat, Spore Spawn is constantly shifting though wavetables of disorientation, fear, chaos, tension, and even a few brief moments resolve. The tones themselves have a cold, digital body, while swells of analog chaos modulate themselves and the sharp digital pillars of extreme sonic swells and decays, and the start /stop style of aggressive noise, on more than one occasion even function as a “drop”. What was  dropped  we don’t know,  however it carved a  deep impact into  the  ear canal, even noted on one of CLIPPING‘s year end  best of lists! In short, this is a must have for fans of ASTRO, K2, early MERZBOW and even some of the work of CLIPPING themselves.   OXEN continues to remain at the forefront as one of America’s most aesthetically and conceptually consistent harsh noise labels.   Grip this fantastic tape before it’s too late.  Here’s a few world from OXEN that represent the complexity and brevity of this EP flawlessly,

Ochitsuitara brings any fan of modern harsh noise (nostalgists won’t be disappointed though maybe not specifically catered to) closest to articulating what it is that sets Spore Spawn apart from decades of legendary noise pioneers, his modern myth building utilizing swirling loops of cacophony and squelching stabs, uncompromisingly outpacing any modern competition in his unique patterns of ecstatic jarring drunken fervor and (sometimes) vocal delivers closely woven into and through electronics culled from homemade disused gaming controllers. Just harsh as fuck. All measurements of harsh noise enjoyment of this genuinely gifted noise artist will be vastly rewarded and on abundant display on Ochitsuitara.”

OXEN LABEL 

ORDER THE TAPE HERE 

SPORE SPAWN Soundcloud

 

6 thoughts on “DECAYCAST Reviews: SPORE SPAWN “Ochistuitara” Cassette (Oxen Records, 2017)

  1. Hi,

    My name is Foster, I’m a musician from Flagstaff, AZ. I recently released my first experimental album: intervalence under the name daiana. I found your podcast and noticed that you cover similar artists/bands, so I wanted to send you this album and see if you would be interested in covering it for your page! Hope you’re having a wonderful day.

    Thank you,
    -Foster Hilding

    https://foster-hilding.bandcamp.com/yum

    vkpe-b4ma

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  2. Hello and Happy New year! Please except my heartfelt offering of my album ‘Find A Road In’ The genre is experimental and jaunty. Even a bit dangly.
    ‘Find A Road In’ was released on January 2, 2023 on all streaming and download platforms.

    My main instrument is guitar. I am a composer, singer-songwriter, multi-instrumentalist.

    Take for free this Bandcamp download of ‘Find A Road In’

    https://dianemariekloba.bandcamp.com/yum Enter code: h7qp-ya8u

    Diane Marie Kloba

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  3. Ditlev Behrens's avatar Ditlev Behrens

    Hello Decaycast

    I am releasing my EP “Transformations” on the 17th of August 2024

    Therefore I am reading out to you for a potential review

    https://promo.theorchard.com/oohPEGRZVqJR850bhxos

    Best regards 

    Ditlev Behrens

    Ditlev Behrens is a Danish composer/producer based in Copenhagen, who under the artist name This Person Does Not Exist, explores the meaning behind the composer as messenger. In his previous works, this is seen in the form of storytelling, Cars, Pity and Raw Emotion (2022), nonverbal narrative, The Basilisk (2023) and personification, Breathing Maze (2023). An essential question for Ditlev is: That no matter how much the composer tries to get rid of themselves by hiding behind aliases, concepts or roles, the composer’s intention to be anonymous can never happen, no matter how much effort they put into it.    

    The EP “Transformations” is the first step in a long-term project about messages and where/what we choose to hear. It explores how different signals and associations to sound can be challenged. By looking uncritically and almost lovingly at the clichés, we see the possibilities of what sound can become. The EP consists of 6 tracks that each work with this process. Glass shards, tornado sirens, kazoos and newly invented animals can be seen as different experiments, ranging from classic pieces of music to Foley without film. Foley in particular has been a major driving force behind the project and many of the tracks on the EP are inspired by Foley as it questions whether what we hear and what we associate with that sound match up. 

    All tracks are mixed by Ditlev Behrens and mastered in collaboration with Vera Sofie Gerup Schou (Vera3).               

    The project is supported by Koda Kultur and the Danish Arts Foundation and intends to explore further into the matter of what it means to send a message. 

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