decaYREVIEWS : LOVE KATY “Cinematic & Dramatic” (Forever Escaping Boredom Records”

decayREVIEWS : LOVE KATY “Cinematic & Dramatic” (Forever Escaping Boredom Records”

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LOVE KATY Cassette arrives and I am
Rather intrigued at the cover image and the non labelled generic cAssette shell – could be harsh noise – or ANYTHING really – opens up with a sample of a “shallow” “actress” ? women (maybe famous and I am
Missing it ??!) blabbing existential crisis bought at the store – Didn’t grace of the depressed psychosis holy dark unchanging unnerving militant walls love Katie Paine a cinematic nightmare of endless looping self-doubt a broken tea kettle off in the distance burns and boils; a subtle Wall Modulation; ie this woman on the covers personal Hell- over and inside itself – the sound of self doubt- an unchanging static wall – psychosis on and on and on; she doesn’t want a relationship just a career. A deep fall to the center of the earth with a failing actress exposes the underbelly of a corrupt and flawed facile of entertainment . Hope is being drained rapidly .

beautiful , minimal , relevant Cover art Which really emphasized a theme along with the titles and colored the wall in a nice way – only gripe (for what it is – and I am “particular” about “noise wall” –?????? ) is the tape was dubbed a bit on the quiet side – but this allows it to dip in and out of the categorization of “background noise” , which seems somewhat inseparable
From the conceptual framework and ethos of harsh noise wall and the VOID. Not the most interesting noise wall ever but then again – does it seek to entertain , alienate , or crush ?

order the  tape here….

http://foreverescapingboredom.com/main.htm

Written by : Malo

DecayCAST reviews : VOMIR / CRUCIFIX EYE split C40 (Forever Escaping Boredom Records)

photo (7)Another swell release up from Forever Escaping Boredom
Records . A bright “psychedelic” data esque  is sliced my analog decay graces the cover with a thin black outline of a cassette shell, but pop this sucker in and its not quite as “bright” at all.  Layered images turn into a multi layered and structured WALL OF NOISE . VOMIR side is classic “VOMIR style”harsh noise wall- from France,  VOMIR is one of the best in the  game  currently. MILITANT, blown out, unnerving, a black analog  mass of  – the wall is information transmission failures -and meditative at the same time; hypnotic,  throbbing, yet unrelenting – a shuttering attack bouncing back on itself / again,again,again,again. VOMIR uses static for large sections of the lengthy track, as the oscillator for the wall
Of sound- static information- feeding back
On itself.; An endless breath from a tugboat at 100 decibel black sandstorm. Choke, choke , choke . subtle modulations occur underneath a wall of undulating fuzz. These subtle manipulations are in fact audible at different relationships to the speakers, but they actually become clearer at LOWER volumes – as the distortion cleans up a bit – shudder ur ears as the cassette stops.

Flip to side two and CRUCIFIX EYE blasts the listener with another huge wall – this one just as subtle yet monotonous as the last – brain lapse / OF CURSE that’s the point – the listener actually really needs to listen acutely at the RIGHT? Volume and an entire buZZINg orchestra of flatlined fans pulses the  air  with  an  unchanging static barrage of non information NOISE WALL. . STATIC into the ear canal
For what seems like an eternity. If anything, the Crucifix Eye side is just as dizzying yet it’s slightly quieter in volume which allows for slightly more clarity at the GUESS!? of the origin of the sound ? IMPOSSIBLE . An assembly line stuck
In a loop between a spiral caughtin the wrong direction -yes its true HNW has NO DYNAMICS and its meant that way/ unrelenting fuzzed out distorted audio assault of static hymn. This is the sound of an idea being sucked into an endless vortex of static entropy – THE sound pukes itself out for eternity – the militarism of the harsh noise wall is undeniable in this blast – for what it is / it’s done quite well. A great grab for HNW and static noise “fans” ? Two of the harsh noise wall masters on one cassette – a Blastermaster of sonic monotony wall ! Bow down .

Written by: Malo

VOMIR

CRUCIFIX EYE

FOREVER ESCAPING BOREDOM RECORDS

decayREVIEWS: Zone Tripper “War Radio” Cs (Forever Escaping Boredom Records)

ImageZone Tripper. This IS  W A R R A D I O. Distant  sonic transmissions from ancient wars  passed,  the recordings of  dead  soldiers calling out  for a hault. Haunting,  nauseous  throbbing delayed  bleeps and  bopping morse code  tones  transmit a message of  failure.  The  sounds  themselves are somewhat interesting, somewhat  generic  sounding in their  recordings style of  blown  out electronics but the  samples, artwork, and  titles, “Transmission 1 and  Transmission 2”  take the  cassette  out of the  realm of “just noise”m and  frame  this  as  “lost recordings  from abattle  gone  awry,  they give more information  to  a  toxic landscape of  radio  stuttering onto itself and  caught in a  dark, nauseating loop. The  quality is pretty low  for the recording, but  again this  supports  the  title  and project  name, to a  degree, so  it  doesn’t  bother me in the  slightest, in fact it has a nice  effect.

Two eyes  in the  target of a machine that  reads brains and  sends drones on tracking  devices  into a  sonic caucophany of  buzzing   confused machines reverberating low  fi  information, layers and  layers of  squalching,  distorted  synthesizers  bleeping,  bleeding, and  peeping, until there is a  response.  “Code Red” style broadcast harsh undulating  electronics. A  beeping  pulse  is a theme  throughout as it  gives way to  other ascending and  falling  tones, one hundred mechanisms  all  failing, at the  same  time, and  then  crash.

Side B opens up  right in the same place, after some  swift samples, the  droning chaos has  flaired back up and is  painting  a picture of  harsh sounds, lost in the  fog, screaming, bleeping, and pounding to  find their  way out, but they   get  sucked back into themselves. Radar has  zoned in, and a black glove  reaches through time and  space and  takes the  last breath. Nice  artwork, and  color  labels on both sides of the cassette. WIll be  checking out more  from this label  soon, stay tuned for  more  reviews/

written by: malo

Forever Escaping Boredom Records

Zone Tripper

DecayREVIEWS: Cerebral Roil “Cloven Hoof Stomp” Feral Fang Media , 2011)

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While west coast noise vagabond Cerebral Roil has done some pretty memorable/dangerous/ and low key – aside from a few small print run editions of split CDRs and compilations, this is the only Cassette I can muster up – which is a shame because the recordings are quite nice.

side A of “Cloven Hoof Stomp” opens up with nervous tick harsh distorted menacing fuzz, distortion and chaos. Which is no surprise – ear splitting mix and whatever else feeding back – an axe connected to a giant spring and a turntable saw are sole of CxRx more unique looking and menacing sounding custom made instruments (which we are at decaycast usually have a soft spot for). the danger of enduring a split open head and or concussion grenade explode during the listening to the cassette is quite unlikely, (though we have resided in Oakland before) which makes one be able to delve into the sound a bit more, without fear of laceration.

The b side is more along a similar harsh noise theme of speaker ripping harsh noise of psychosis. Menecing ear wrenching high pitched tones slowly but surely saw an X along the back of the neck of the listener and eventually decapitation is inevitable.

This tape bleeds sounds of an insanic cave , deep in a trench, plotting revenge. this tape is harsh sounds, but often a few times the recording Is a bit overdriven, and then if backs off and more clarity is present, but it works well as a push pull and isn’t so blown out that it totally annihilates the entire mix it’s just a bit HOT in the red is all- works for the sounds, but the tracks overall could use a bit of dynamics to push the loud parts louder, and give a break to the ear This cassette is short and sweet noise blaster of serial killer feedback psychotic brain loop noise. A must have for all the “true crime” and “fantastical psychotic workshop training camp hazing music fans” . Overall, a solid release , all the sounds are pretty interesting in the harsh sense – blasted out noise – s – a solid release overall though, will be seeking out more from CxRx.

written by: Malo

FERAL FANG MEDIA

decayREVIEWS : Sleep Of Ages / Vasectomy Party CS (Forever Escaping Boredom Records)

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The A side is Sleep Of Ages, noise / cut up/ drone “budget” harsh style electronics project from Sao Paulo, Brazil. Starts off with some keyboard tinkering, looping phrases of fuzzed out midrange – warming up it sounds like but after about forty five seconds it begins to hit a stride, gaining volume, distortion and intensity, and the next thing you know- you’re in the center of an all out harsh noise attack- cutting, clawing and stretching the ears of the listener to use a reverse feedback audio weapon to the brain cavity. Sleep of Ages carves feedback, distorted hits and layered synthesizers and mixer feedback? To create an interesting blend of harsh textures with the occasional pause and drop in volume.  These dynamic harsh cuts and sudden changes in pacing, sound sets and intensity are the more visceral moments of the tape. Bubbling fuzz decays of a sinking barge oscillating the waves with its busted propellers / the sound of broken bones transmitted over an ancient CB.  Sleep of Ages side peaks in intensity and sonic textures and the organized “chaotic structure” stands on a peak, elaborates itself and then CUT- quietness then building back up to a rumbling oscillating fuzz machine which cannot control itsel f , looping shuddering and dying , pretty interesting work overall.

The B side, occupied by Vasectomy Party  starts off with a few samples and the. Slowly builds to a fuzz wall of chaos. A VHS WIND of broken iron machines scraping along concrete chasing down its maker for revenge.
Much more monotone in volume and dynamics, yet the mood ever so slightly undulates between dark, broken  and confused, THIS IS the sound of a hijacked transmission in space – the noise of the spinning universe printed back to 1/32″ tape – only archiving the nastiest hisses and scrapes. this machine is angry and it’s shaking inside. Walls
Of vocals and screaming blood feedback coat the speakers with a bleak sonic presence. A diseased churning stomach V P twists classic style harsh noise – overblown howling vocals, broken, jarring pulsing syntheizers, junk and garbage sounds – a whipping environment-a few areas seemed a bit underdeveloped but just when it would start to lose me a new sound set will
Come out and confuse and alienate- interesting sounds and approach overall on both sides and 4 panel collage  foldout which really adds to the tape – and full color labels on both sides – great looking tape,
Out  interesting release overall

http://sleepofages.wordpress.com/

http://vasectomyparty.bandcamp.com/

Forever Escaping Boredom Records

decayREVIEWS : Flourescent Gray “Ambiente” (3xCD , RecordLabelRecords, 2013)

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fluorescent Gray is one of the artists of RecordLabelRecords,an Oakland based imprint releasing intricate and dissonant works from the bay area and beyond-  from Thomas Dimuzio, Flouresent Gray ,Nommo Ogo and more. With a clean and fresh aesthetic, the attention to detail and themes of science fiction, mind alterations psychedelic based  minimalist textures in both  image and sounds RecordLabelRecords has seem to craft an aesthetic that for The most part, is all their own . These themes carry over nicely to the recorded works of Flourecent Grey. “Ambiente” is a three disk promo for what appears will actually be housed in a printed box with some small scale art prints as well. Spanning over three discs, and seven years,  “Ambiente”  is “all over the place” (in a good way)  from
“old school” minimal techno, to musique concrete, to dark drone to straight field recordings.
On Ambiente, Flourecent Gray explores a wide breath of sonic structures and conceptual possibilities through this tour de force of shuttering electronic environments;  Live “traditional” instrumentation, buzzing programmed synthesizers, distorted drones and sample based collage sections all have their own breath of life throughout this massive work.

Disk  one starts out the gate with slow breathing tones – a distant machine puttering along on its last legs grows closer and louder/  creating a nice ambient arch of rising shuttering, yet dissonant chords. The sound of  the sonic deconstruction  of cold, barren, shaking architecture.  slowly and subtly collapsing on itself, in perfect time
. the rhythmic structure starts to reveal itself and builds into a dense psychedelic
Array of choppy lazer like percussive beats, layered  synthesizers, and echoed, distorted vocals. Ambiente moves along subtly yet swiftly through more beat driven tracks of danceable yet complex electronic movements. At times
Noisy and at times sparse and theatrically minimal, Ambiente spans  a wide of pacing, intensity and dynamics- which can sometimes be a challenge with more beat driven electronic music – but Ambiente does a swell job of always keeping the listener guessing

. The overall slope of the peaks and troughs of “an album” in the traditional sense, are explored throughout the near three hour release, yet the work is so stretched out the listener really has to commit an intense listening session to gain the overall structural integrity of Ambiente as near three  hour work, rather than seprate works. To the artists credit, however Ambiente – does this very thing,  by giving life to a scope of sonic methods. Dark churning, chaotic, cacophonous stabs of sound   morph into minimal sections, raw single
Drones,
Or tones-more, barely audible scrapes of sound movement swell and collapse, then bleed into  field recordings, ESP, spy style recordings, single instrument “solos”, playful yet sincere  foley artist samples slowly morph into more shuttering tones, voice, synth voices, and raw tones blended with a  blissful care give breath back to an empty dark echo chamber. Glowing sounds pulse through the eyelids giving birth to new pings of decay – a slow machine waking up throughout the mix, while possessing a similarly cold theme of a distant consciousness being resurrected through sonic transmissions.

, Ambiente,  At times, “loses” the listener in the traditional sense, yet perhAps that was part of the intent . The listener at that point, must  engage  into the realm of background sounds – unknown voices. A distant blurred yell ? At this point i was “lost” but it made sense .and I was unaware of what I was listening to and then i would become drawn in again. Maybe considering the length of this release .that momentary detachment from the work as a whole  isn’t the worst effect/affect.   The push and pull of presence and absence in the overall structure creates a subtle tension which works well

Over the three disks many different moods, structures. Pacings Methods are used. Not afraid to be self referential within its stylistic choices, Ambiente references early forms of “ambient” music as well as carving out its own sonic territory which comes off neither as redundant nor contrived, but rather fresh and arching across different sonic territories. Sometimes u can tell if your listening to futuristic consciousness sound alterations or distant transmissions from the past, a vast and interesting release overall, will be checking some other Flourescent Gray recordings in the future, as well
as works from the label, RecordLabelRecords

written by: malo

decayREVIEWS : EN NIHIL “The Approaching Dark” CD (Eibon Records, 2012)

ennihilEN NIHIL is one of those artists that remains back in the shadows , with much more of a modest output than many of todays noise/experimental artists who release literally everything they record. THE DARK PULSING SKULL that is En NIHIL has chosen his position- remaining a bit in the shadows, while crafting throbbing, articulate noise / drone / dark ambient / harsh from
An unassuming position in the dark mist. I have a few of his releases and they are all composed and compiled with care, craft, and attention to detail, with the latest release, “The Approaching Dark” being no exception.

This disk flows seemlessly through harsh noise, rhythmic dark industrial, ambient spaced out textures and swelling rhythmic intensity blend together to give breath to the harsh blasts that lay beneath a thick yet subtle fog. Each sound on the disc comes across as intentional and deliberate – again and again combed over – no happy accidents here – every sound is carefully and conceptually placed to create an interesting and ominous space- giving way to the next and last sound; texture tension rod of black smoke .

At times super harsh and blasted out, and at other times restrained , EN NIHIL Creates a delicate balancing act of harsh abrasive pulsing attacks, desolate and  near classical like compositions fueled by pulled back ambient sections which make the louds louder and are a wonderfully paced black breath to the overall ebb and flow of the disk. Composition wise, the disk doesn’t let up – a perfect balance of dense, anxiety ridden movements  and sparse  textured based tracks make this disk a fluid and theatrical atmosphere- just abrasive enough- and the  artwork fully supports the sound, very high quality all around. This is  bleak, dissonant soundscapes  for a  future vision of the  absence of a current polluted consciousness. Be on the lookout if you can ever  catch him live, because  performances are  few and far between.

Mp3 Sample “The Hearts Relent

Get it from the  label  http://www.eibonrecords.com/

http://ennihil.blogspot.com/

written by : malo

DecayREVIEWS : Nite Shadez “BLACK HOLES FOR THE FACE / AND A GRAVEYARD” cs (OOBR, 2012)

DecayREVIEWS : Nite Shadez “BLACK HOLES FOR THE FACE / AND A GRAVEYARD” cs (OOBR, 2012)
niteshadz
Most of the stuff on Denton, TX Out of Body Records we do happen to like quite alright, and this tape is no exception. Nite Shadz crafts a low reflective rumbling of dissonant – at times rock ish . At times noise , and at times WTF industrial music. Put on your specs ON and listen to the discarding dictation of the human – cyborg interaction. N S is like a John Carpenter film on acid through a growling Pitch shifter- distorted lines of a non linear plain – all whilst being flushed down the proverbial toilet of noise- in reverse. crawling, swelling ominous yells, thizzing and pummeling broken guitars ? Synths ? And pummeling smashing sparse drums ? A kit ? A machine ? Not quite sure what they are using but it’s all used well – the instrumentation seems pretty simplistic and bare bones – which makes this unique style of rock/industrial / drone function in an interesting
Manner – ALL SOUNDS ATE IMPORTANT. one never quite gets the sense of where the sound is going next but it goes SOMEWHERE , dark , brooding and fuzzing out the whole time .

NITE SHADZ IS. A broken eighteen wheeler, grinding its motors down to the final smashing gears, before sonic shrapnel is sent thrusting into the earths ears, splitting them open and lacerating a ne cochlear for the sounds of N S. to blaze forth in a purple hell . Can’t tell if it’s two people or six which I guess is a good thing as the sounds seem gelled together quite nice.

The cover art is just straight up odd and spectacular at the Same time. Full color high quality art with a minimal transparency depicting what appears to be the ghost of the dark shade. A all around beautiful Atape of an interesting style of hybridized style of fuzz,, noise , industrial VHS drum hiss , smashed guitars, and synths stuck in hell – Nite Shadz concocts the pefect road soda of heavy and “chill hell” music — even even even and at times dare I say dare i say dare i say — slugged out rock (NOT in a bad way ) This tape was sent for review to us , but if they release anything else I’ll be sending some ducket$ their way for sure – top notch stuff by a great label.

http://outofbodyrecords.blogspot.com/

decayREVIEWS: MOTH COCK “Moth Cock” LP (Tusco/Embassy, 2012)

DecayREVIEWS : MOTH COCK “Moth Cock” LP (Tusco / Embassy , 2012)
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So I was walking through the woods after a long night of being lost and found a very scratch dirty muddy and ominous looking record – I picked it up and decided to review it – attempted to clean with a mild BLEACH. Solution but it may have etched the record even further into unplayable hell –
I drop the needle .

It’s a quiet buzz, something churning your stomach a bright flash, the soar around you starts to shake – for no reason at all – everything begins to turn subtly orange and green as if your retina is slightly being drilled by a microscopic drone – the slow taking effects of the Moth Cock .this record is like a bad trip , with good company- starting out subtly and slowly building up to a twisted, deranged, cacophony of jazzlike drums played on the couch with Mosquitos circling the head of the percussionist into a frenzied disorienting dizzying amalgam of fucked up and mind bent sounds.  Puttering out walls of horns, a racket of broken pot and pan percussion, tape players eating loop tapes and spitting them back up into the bell of a muffled fighting , bent horn.  Throughout the record MOTH COCK ebbs and flows through what could be pigeon holed as broken free jazz with electronics  but it’s so much more (and less ) than that – a blowing , buzzing , pussing , tripping orchestra  of NONE belts forth nearly forty minutes of some of the most deranged jazz ever to be pressed to vinyl and left to Rot in the woods… The varied instrumentation of horns , reeds, and broken electronics sews together a murky stew of sonic confusion and mayhem, Swinging, twisting, tangling around itself MOTH COCK chokes itself until the last gasp of broken wind is emitted through the bell. Also two color screen printed covers, With WTF inserts and brown/ grey / orangish swirl color vinyl to boot

TUSCO/EMBASSY

MOTH  COCK