DECAYCAST Reviews: MAYA SONGBIRD “Cats From Venus” (Psychic Eye Records, 2022)

“Cats From Venus” is the newest full length offering from Bay Area stalwart and all around magical musical hybrid presence MAYA SONGBIRD, who between runnings her own label, Wired Weird Entertainment, The Magic Shop – a brick and mortar retail space in Oakland, CA as well as producing events, and meticulously handcrafting merch of a myraid of shapes and sizes, including a custom candle line which has garnered a cult following around the bay area, has found time to give us another stunning full length record of her signature style. “C F V has all the signature Maya Songbird musical stylings; retro, sexy synthesizers which create movement in the mind and body for even the most sour wallflower. “C F V” gives track after track of unmatched vocal performances over her queer and funky brand heavy electronic post punk / disco. A collection of ten soon to be favorites dance numbers which will last through your next three breakups.

“You let me know I’m not appreciated”

The songs on ” C F V…” are powerful, quirky femme anthems and demand their own space and time from each other and other works in the “genre” as a whole. “C F V” is a special and beautifully honest and unique album which only Maya Songbird can create. On “I Don’t Ever Have to Be Nice” the artist belts out the empowering, lines of self actualization over a heavy, hypnotic beat and stirs a pot of seductive sweets and spices for the perfect recipe of self empowerment.

https://psychiceye.bandcamp.com/album/cats-from-venus

“Cats From Venus” is Songbird’s most fully realized full length project to date. Released by Oakland, CA’s Psychic Eye Records “Cats From Venus” combines queer disco beats ala Patrick Cowley’s productions for Bay Area disco legend Sylvester, funky, sweaty, sensual, funky post-punk freaked out numbers topped with iconic vocal performances from Songbird on nearly every track. “Cats From Venus” is the queer party album packed with anthem after anthem lined up in a row for this fall 2022 which has left us in a world that’s both at once gifting beauty and breaking apart at the seems. We need Maya Songbird’s “Cats From Venus” now more than ever, but do we deserve it?

Via the artists website maysongbird.com, the artist states about “Cats from Venus” –

“This album I got a chance to really speak my truth and heal especially on human life/Live Again. I honestly can say when Live Again was recorded I was going through something tough. Promise me you will listen to every word I wrote on this song ok? Its really dope how Amelia the producer had driven up to oakland from la and we recorded I think “Live Again” and “You should be dancing” in my living room space.”

“Disco Bill” is one of the albums creative peaks, as it has the potential to move a room of thousands all the way down to driving a singular dance party at the end of an earbud. “Seduction”, another banger that’ll have you take over the steering wheel from the bus driver and crash the bus into a pond filled with LSD and neon pool noodles as you scatter away to the party, set a cop on fire to light the room just to make love on the dance floor.

Available on Cassette and CD from Psychic Eye Records and Wired Weird Ent now!

DECAYCAST #47: DISKOTEKA – Soviet Disco, New Wave and Folk Pop mixtape by Big Debbie

DECAYCAST #47: DISKOTEKA – Soviet Disco, New Wave and Folk pop mixtape by Big Debbie. 
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We’ve  strayed farther and farther into reviews but  Decaycast started as a pirate radio show / radio collages so this guest mix from Big Debbie takes it back to the roots with this  wild guest mix for Decaycast, blending new beat, disco proto punk, and so much more with some seriously cryptic gems hiddin within, take a  deep listen and check out Big Debbie’s newest LP “Ab Ra Ca Deb Ra” out last Nov on Ratskin. Click the cover to listen and read a statement below on the mix from Debbie themself!
“Most of the music on here was officially State sponsored, but couple tracks were underground classics. From Eastern Europe to Central Asia, the songs would practically spread overnight, due to the rapid tape trade culture. Some of these jams I actually grew up with.  They were the mainstream hits, I remember hearing coming out of the crackling, night train radio, as you drifted to sleep. Some of them you had to go out of your way to get. By the late 80’s the music piracy was more out in the open. I used to get my music, from the guy at the grocery store. He had a little set up in the corner that consisted of a chair, some blank tapes and a Boombox.The bootlegger usually had a  “D.I.Y” encyclopedia as well, that you could sift through. Everything from disco and smooth jazz, to punk and death medal. You pointed to what you wanted and the next day he usually had a dubbed copy ready for you. However, to tell the truth, most of these gems I discovered recently through youtube, just in the past year. Hope you enjoy them, at least as half, as much, as me!”

1.Nasiba Abdullayeva – “Lazgi” (Uzbekistan, USSR, 1983?)

2.Rahima Shaloer & Gulshan – “Shiriniy” (Tajikistan, USSR, 1986)

3. Gunesh “Chayhana” (Turkmenistan, USSR, 1989)

4. Sevda Alpay & Zafer Dilek “Kara Kasli Yar” (Turkey, 1974)

5. Grup Akdeniz “Sine, Sine” (Turkey, 1984)

6. Eolika “Karavana” (Latvia, USSR, 1985)

7. Vishnya “Raschoska” (Russia, USSR, 1988)

8. Isabela Trojanowska “Jestem Twoim Grzechem” (Poland, 80’s)

9. Snezhniy Avgust “Fialki” (Russia, 1991)

10. Rusya “Nye Stiy Pid Viknom” (Ukraine, 1991)

11. Dos Mukasan “Barinende Sen Sulu” (Kazakhstan, USSR 1971)

12. Kino “Kamchatka” (Russia, USSR, 1984)

13. Original “Sen Kaydan Bilasan” (Uzbekhistan, USSR, 1981)

14. Biokonstruktor “Teletourism” (Russia, USSR, 1987)

15. ???

16. Murad Kajlayev “Fakir” (Azerbaijan, USSR, 1972)

17. Alla Pugachyova “Sirena” (Russia, USSR, 1987)

18. Glass Wings “This Music” (Russia, 1991